Foto Féminas emerged from a profound sense of frustration experienced by Verónica Sanchis, a Venezuelan photographer, regarding the stark lack of visibility for women, especially those from Latin America and the Caribbean, within the realm of photography. Her academic pursuits, which included a thesis on the disparities between local and international photographers in 20th-century Mexico and subsequent interviews with Ibero-American contemporary artists, consistently highlighted this glaring void. This persistent observation ignited Sanchis's resolve to establish a dedicated platform that would champion the work of these underrepresented talents, providing them with the recognition they rightfully deserved.
For women photographers in Latin America today, significant challenges persist. Verónica Sanchis emphasizes the critical importance of self-belief and unwavering dedication to one's craft. She advises aspiring artists to seek inspiration from respected professionals, relentlessly pursue excellence, and embrace experimentation, viewing errors as valuable learning opportunities. Continuous creation, active participation in the photographic community, and a commitment to understanding diverse artistic expressions are crucial for growth and recognition in this evolving field.
Foto Féminas meticulously selects photographers for its monthly features, employing a rigorous yet accessible approach. While founder Verónica Sanchis actively seeks out talent through research, social media, and direct interactions, the platform also maintains an ongoing open call, allowing photographers to submit their work without cost. The primary criterion for selection is not an artist's resume or educational background, but rather the coherence and narrative strength of their projects, ensuring that featured works possess a distinct and powerful artistic voice.
The Foto Féminas Mobile Library, affectionately known as La Biblio Móvil, represents an innovative extension of the platform's mission into the physical world. This unique initiative features a custom-built wooden structure worn by Sanchis, showcasing a diverse collection of photobooks by Latin American and Caribbean women and non-binary photographers. Through these performances, the library fosters direct engagement, facilitates conversations, connects artists, and actively promotes their published works. Starting with generous donations, the collection continues to grow, serving as a dynamic archive and a vibrant celebration of regional photographic artistry, showcased at various international photo book fairs.
Foto Féminas remains committed to its core mission, continuing its monthly online features and expanding the reach of its mobile library. A significant recent achievement includes participation in Rencontre d’Arles, where five selected projects by Isabel Tirado, Ana Leal, Bárbara Lissa, Taniusha Sophia S. Kovalski, and Nathalie Sayago garnered critical acclaim and were featured prominently. The platform is also diligently preparing for its 10th-anniversary exhibition at the Centro Cultural de España in Buenos Aires, a collaborative showcase highlighting a decade of artistic partnerships. Furthermore, plans are underway for an additional anniversary event in New York City, solidifying Foto Féminas's growing international presence.
In alignment with PhotoVogue's ethos of empowerment and collaboration, Foto Féminas passionately advocates for several other women-focused organizations in the photography community. These include Femgrafia by Karla Guerrero, Fotógrafas Latinoamericanas by Lorena Velazco & Fernanda Patino, Fotógrafas en el Mundo by Karina Beltran, Solipsis Art Ecuador, Colectivo Las Ninas, and Cooperativa Fotógrafas. These partnerships underscore a shared commitment to fostering a more inclusive and supportive environment for women artists across the region.