Inès Longevial's latest exhibition, 'Skin of a Storm,' currently captivating audiences at Almine Rech Tribeca, offers a profound exploration of the human physique. Through a masterful blend of oil paintings, intricate drawings, and unique monotype prints, Longevial invites viewers to consider the body not merely as a physical entity but as a living canvas that chronicles our innermost journeys. The collection delves into the idea of skin as a narrative surface, constantly changing and evolving, reflecting the myriad experiences and emotions that shape our existence. This exhibition solidifies Longevial's unique artistic voice, emphasizing a deeply personal and introspective perspective on self-representation.
A notable aspect of 'Skin of a Storm' is the artist's inventive use of various mediums to articulate her vision. The oil paintings, many conceived in an intense, spontaneous 'flow-state,' radiate with vibrant hues of crimson, chantilly, and ultramarine, imbuing each subject with an almost palpable presence. These self-portraits, as described by Lynn Maliszewski, transcend conventional depictions, focusing on the subtle nuances and imperfections of the skin that reveal deeper stories. Furthermore, the exhibition introduces a compelling series of drawings where subjects meet the gaze of the audience with unwavering intensity. These pieces feature evocative imagery such as ballet slippers, snakes, and butterflies, symbolically intertwining themes of transformation, myth-creation, and the universal yearning for liberation. The rarely-seen monotype prints, presented in pairs that initially appear identical but upon closer examination unveil subtle variations, further underscore the dynamic and ever-shifting nature of human experience. This comprehensive showcase not only highlights Longevial's technical prowess but also her ability to infuse her art with layers of emotional and conceptual depth, making 'Skin of a Storm' a truly immersive and thought-provoking artistic endeavor.
Inès Longevial's 'Skin of a Storm' exhibition at Almine Rech Tribeca profoundly examines the human form, presenting it as a dynamic canvas that registers life's myriad experiences. Her oil paintings, often created in a spontaneous "flow-state," use vivid colors to portray self-portraits that feel deeply personal and authentic, focusing on the nuanced storytelling embedded in the skin itself. This approach moves beyond mere physical representation, inviting viewers to connect with the internal world and emotional landscape of her subjects, whose skin becomes a testament to their lived realities, embodying both fragility and resilience.
Longevial’s artistic practice, as showcased in 'Skin of a Storm,' treats the human epidermis as a rich, unfolding story. Each stroke of paint and every line drawn contributes to a complex tapestry where the surface of the body is not just seen but felt. The choice of oil as a primary medium allows for a remarkable depth of color—crimson, chantilly, and ultramarine—that breathes life into her figures, creating an intimate dialogue between the artwork and the viewer. The paintings exude an unapologetic vitality, celebrating the body’s innate beauty and its capacity to absorb and reflect the passage of time and emotion. Longevial's singular vision captures a profound sense of self, where the skin’s texture, folds, and subtle changes become symbolic of life's continuous journey, making each piece a luminous and alive meditation on identity and experience.
Beyond the evocative oil paintings, the exhibition features striking drawings and monotype prints that expand on Longevial's core themes of transformation and liberation. Her drawings, with figures meeting the viewer's gaze directly, incorporate symbolic elements like snakes and butterflies, suggesting a journey of constant metamorphosis and a pursuit of freedom. The inclusion of monotypes, a less frequently displayed aspect of her work, further highlights the nuanced changes within the human form, reinforcing the idea of skin as a dynamic and evolving record of personal triumphs and alterations.
The suite of drawings in 'Skin of a Storm' marks a compelling departure, with their subjects engaging the viewer directly through their unblinking eyes. These works interweave detailed facial features with motifs such as ballet slippers, representing grace and disciplined effort, and natural elements like snakes and butterflies, which are universally recognized symbols of change and rebirth. This symbolic lexicon enriches the viewer’s understanding of the psychological and emotional transformations depicted. Furthermore, the exhibition's groundbreaking inclusion of monotype pairs provides a fascinating study in subtle variation and perception. Though seemingly identical at first glance, these prints reveal delicate differences that underscore life's continuous flux, serving as visual metaphors for the way skin subtly records every alteration and victory. This artistic choice not only demonstrates Longevial’s versatility but also her profound conceptual depth, as she illustrates how the body’s surface becomes a silent narrator of an individual's unique story and their interactions with an ever-changing world.